User:Egocarib

egocarib

A peculiar contraption.

Also known as exanguination microtubules in some parasangs.

Perfect

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Inline Favilink Test

I'd like to reproduce a perspective I recently Slog's annunclus shared with a friend, a lamplighter by trade and an artist too, who shied Across Moghra'yi, Vol. III: Oth, the Free Cityaway from a typography tournament at the festival of Ut yara Ux because of a fear in her heart. She suffers from the spray bottle malady of the mimic, the all too common sickness that makes us feel like we're performing our lives instead of inhabiting them, that we don't belong next to those who've won success nor Blood and Fear: On the Life Cycle of Lah do we deserve those same successes when we've won them ourselves. anti-gravity boots I've counted myself among its victims in the past, and occasionally I still do. First, indulge me for short while. On a shelf in my workshop sits a simple contraption called a morphoscope. It's comprised of two parts: an armature of pliable aluminum wire and a rotary base. Its purpose is to communicate a three-dimensional form from a two-dimensional viewing plane. The armature can be contorted such that, when viewed in its still ape fur hat state, it looks like a jumbled mess of wire, but when viewed in rotation it assumes the familiar form of an object, such as a bird or urshiib countenance.

What's this have to do with the bio-scanning bracelet malady of the mimic? To answer that, we must black robes deconstruct the malady. Let's ask: what is it to be a mimic, to appear as a thing but feel like another? Essentially it's a phenomenon of semantic distance, a sensation of the space between what we perceive in others portable beehive and what we perceive about ourselves. We've constructed a representation of what, in the case of my friend, a proper artist and typographer looks like. Why do we have such trouble squaring that representation with our own image? The answer lies in the richness of our self-perception. We see ourselves in stereo, our wire armature plied crimson hood by our experiences, our self-image formed by rotating it about box of crayons the axis of time. What we call 'artist' or 'typographer' is just a jumbled mess of wire, an unfamiliar pattern we give a name to in absence of the context of life's motion. Were we to see our peers in rotation, gain perspective on their doubts, their fears, their pain, the jumbled mess of a pattern would disappear into the familiar form of a person. And conversely, had we the capacity to freeze our own motion, to see ourselves absent of the Caslainard context of our doubt, fear, and pain, we'd see an artist and a Crime and Punishment typographer just the same.

Q Girl

85 Hit points: 85 6 Armor value: 6 6 Dodge value: 6
Level: 28
toggle detailed stats ST: 17 Strength: 17range: 16-18 AG: 17 Agility: 17range: 15-20 QN: 100 Quickness: 100 TO: 16 Toughness: 16range: 15-17 WI: 17 Willpower: 17range: 15-20 MS: 100 Movespeed: 100 IN: 23 Intelligence: 23range: 21-26 EG: 14 Ego: 14range: 13-15 MA: 0 Mental Armor: 0 Attribute Range Mean Formula Strength 16-18 17 15+1d3 Agility 15-20 17.5 14+1d6 Toughness 15-17 16 14+1d3 Intelligence 21-26 23.5 20+1d6 Willpower 15-20 17.5 14+1d6 Ego 13-15 14 12+1d3
Acid Res: 0 Elec Res: 0 Cold Res: 0 Heat Res: 0
ID	Q Girl
Faction	Barathrumites (100)
Gender	female (she/her)
▼ ► Inventory
Carried life loop x1 ulnar stimulators x1 ]powered exoskeleton x1 plastifer sneakers x1 plastifer jerkin x1 polyhedral rings x1 rough agate gemstone x0-1 rough jasper gemstone x0-1 rough amethyst gemstone x0-1 rough sapphire gemstone x0-1 rough emerald gemstone x0-1 overloaded laser pistol x2 cybernetics credit wedge 1¢ x1
▼ ► Skills
Tactful Gadget Inspector Disassemble Repair Reverse Engineer Tinker I Tinker II Pistol Akimbo
▼ ► Mutations
Triple-jointed (3) Quills (6) Night Vision (3)
Corpse Dropped	urshiib corpse (90%)
Role	NPC

Q Girl

She's an opal in the monochrome.

Her hair is a quasar of red ochre and indigo in the blanched light of the workshop. Her cartilage is pierced by polyhedral rings that spin in antinomy to the cave's simple geometry. Beneath the quills her skin is decorated in furcate lines, fantastic elaborations on the patterns of discarded circuitboards. She's surrounded by apparatuses of her own creation. Through the harmony of those machines, she cuts a swath through the entropic brine that sizzles around her in a loudening chorus.

Perfect

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